LOST - Hearing Voices - Script
TEASER
EXT. VERONA BEACH - DAY - FLASHBACK
A bright, sunny beach -- clear skies, blue water, and powdery
sand.
YOUNG SHANNON (age 6) lies right where the waves lap against
the shore. Quiet. Peaceful, but --
She's not moving --
Her eyes stare lifelessly into some middle distance --
And we can HEAR HER BREATHE -- NOISY, LABORED BREATHS that
expel little bubbles into those slight, gentle waves that LAP
PAST HER MOUTH.
Something is seriously not fucking right.
We hear her father -- anguished, freaked out, running like
hell --
ADAM RUTHERFORD (O.S.)
Oh, god! Oh, god! Shannon!
SHANNON!
SMASH CUT TO:
XCU: SHANNON's eye snaps open, and she squints from the
bright light.
BOONE (O.S.)
Shannon!
EXT. BEACH BY SAWYER'S TENT - DAY - PRESENT DAY
Shannon lays out on a beach towel in a bikini, near the
gentle ocean waves, and also near the ominous jungle.
BOONE stands beside her, all petulant annoyance.
He holds out a WALKIE-TALKIE -- a simple little box with an
antenna, a speaker, and a BIG BUTTON (this'll be important
later).
LOCKE stands at the edge of the jungle. He's got his own
schedule to keep, and he damn well doesn't want Boone fucking
it up.
SAWYER lounges in his tent, not too far away, reading a
paperback and supremely not giving a shit.
Everybody's sweaty. It's a damn hot day, and that isn't
improving anyone's mood.
BOONE
Take this and listen.
Shannon's expression: "What the fuck?"
SHANNON
What? No. What?
BOONE
We found a couple walkie-talkies.
Just listen to this and tell
Sayid --
SHANNON
The Arab guy?
BOONE
Tell him if you hear anything.
SHANNON
(going back to sleep)
Whatever.
BOONE
If it works, we could track down
the French broadcast.
This interests Shannon just long enough for Boone to hand off
the walkie-talkie.
LOCKE
Tempus fugit, Boone.
-- and Boone's off like a shot.
SHANNON
But...
Boone and Locke disappear into the jungle.
Shannon is stuck with it. Dammit.
A FAINT WHISPER. Almost nothing at first, then a little
louder, then a little louder. It's... Boone's voice? And
where is it coming from?
Shannon listens closely to the walkie-talkie, but... no.
It's coming from the jungle.
Shannon gets up, casually ties the towel around her waist,
grabs the walkie-talkie, and takes a few steps towards the
sound.
SHANNON (CONT'D)
Boone?
It's loud enough now that we can tell it's repeating
something, but what? It starts out "You like...", but the
rest is indecipherable.
Shannon takes another step, and another. She can make out
what it's saying. And she's not happy. She stomps off
toward the jungle.
SHANNON (CONT'D)
Boone!
EXT. THE VALLEY - DAY
Almost as hot here.
Except for the TRICKLE OF THE WATERFALL, it's totally QUIET.
JACK picks PRESCRIPTION BOTTLES out of a BATTERED SUITCASE.
CLAIRE sits in her cave, and dabs her forehead with a CLOTH.
HURLEY naps in that same cave.
SUN absently folds a LEAF into origami by another cave.
A few EXTRAS sit very still, listless, indolent.
(Charlie's guitar rests against a tree.)
Some distance from these people,
ROSE
sits at the edge of the Valley. She stares off into the
jungle intently.
CHARLIE approaches Rose and offers her a BOTTLE OF WATER.
CHARLIE
Drink up.
ROSE
I'm fine.
CHARLIE
Now, Jack says -- you think you're
fine, you don't drink your water
and -- *ppppllt* -- instant heat
stroke.
ROSE
It's cool enough here in the
Valley.
CHARLIE
Y'know. You could move here --
ROSE
No --
CHARLIE
It's more comfortable, and --
ROSE
I like to watch the ocean.
(off Charlie's confusion)
For ships.
CHARLIE
(humor the crazy lady)
Of course.
ROSE
There will be ships.
(conceding)
I believe there will be ships.
Heck, I believe my husband is out
there somewhere.
CHARLIE
I respect that. Believing in
something. In love.
Charlie can't help but steal a glance at Claire -- who
catches him, and smiles back. Charlie lights up.
Rose sees all this, and can't help but grin.
ROSE
Okay.
She takes the water bottle, and takes a sip.
ROSE (CONT'D)
But I ain't movin' here.
Charlie gives a little half-nod. Fair enough.
EXT. BEACH - DAY
SAYID puzzles over the guts of THE OTHER WALKIE-TALKIE (it's
identical to Shannon's). He snaps a CIRCUIT BOARD into place
and snaps the PLASTIC CASING shut.
(Note: he's wearing pants with big, cargo-pants-style
pockets. This'll be important later.)
He presses the big button. Nothing. Dammit.
He stands up, trying to clear his head. A NEW IDEA OCCURS TO
HIM, and he walks over to his "tools" -- a few SHARDS OF
METAL that serve for makeshift screwdrivers and files.
The walkie-talkie emits a soft BURST OF STATIC. Sayid stops
momentarily -- did he hear something? Another BURST OF
STATIC, and then SUSTAINED STATIC. Sayid turns around.
TIGHT on the walkie-talkie speaker -- it's NOISY as hell, and
there's ODD ROARING SOUNDS --
TIGHT on Sayid -- with his years of training, he catches it
before we do, and he's HORRIFIED.
Back to the walkie-talkie XCU -- then we hear it too,
emerging from the STATIC --
SHANNON'S VOICE.
She SCREAMS DESPERATELY FOR HELP.
END OF TEASER